Skratch Attach

Record analysis & grids

This is the workshop behind Wax-ID: capturing a record, laying a beat grid across it, fixing the grid where the song drifts, and saving the result.

The music stays on your vinyl. What gets stored is the tempo, the grid and the identity — and, if you want it, a FLAC archive of the take.

⚡ Most records never need this page. Run the guided log, let AUTO GRID do its work, and save. Everything below is for the ones that argue.

Getting here

Long-press the platter centre on an analog deck to open the WAX-ID LIBRARY for that deck, then + CREATE NEW WAX-ID. Only the X button (or Escape) closes these overlays — stray taps outside the panel are ignored on purpose.

An existing record's GRID chip reopens the same editor against that record's archived take.

1. Capture

  1. Set the pitch fader to zero — the view guards this, so the stored tempo is the record's natural one.
  2. Press START, then drop the record in on the 1.
  3. Tap along while it plays. Those taps become the tempo the grid is built from, and the status line tells you how the run is going.
  4. Let the song play out — the capture stops itself in the silence at the end — or press STOP whenever you have enough.

RELOAD LAST CAPTURE brings back your previous capture if you closed the view or want another pass at the grid.

The capture overlay mid-take: the STOP button, the running timer, PITCH 0% OK, the prompt RECORDING -- START THE RECORD FROM THE TOP, and TAP ALONG HERE

2. AUTO GRID

After a guided take the app grids the capture off your taps immediately. You'll land on the review screen with the grid already laid.

If it needs a nudge, AUTO GRID is the button — it lights up as soon as a tempo reference exists. Without one it says so: "AUTO GRID NEEDS A TEMPO — TAP OR TYPE IT".

This is the review screen, the TEMPO MAP, opened on a saved record's archived take: every bar line laid across the waveform, the bar numbers along the bottom, and the TEMPO CURVE lane underneath showing the per-bar BPM.

The TEMPO MAP for a saved record: the whole waveform with red bar lines and bar numbers, PITCH 0% OK, CLEAR ALL and EDIT BARS at the top right, the TRIM, GRID, ZOOM and MIX MARKERS button groups, a TEMPO CURVE lane reading 79.8 to 87.8 BPM, then TAP, ROUGH BPM, AUTO GRID, RE-MAP and CALIBRATE, with PLAY, STOP, UNDO and SAVE GRID along the bottom

3. When the record wanders

Some records simply don't hold one tempo. The app says so rather than pretending — "THE TEMPO WANDERS", "ONE FIXED GRID CANNOT FIT THIS SONG" — and points you at DRIFT GRID.

Drift Grid is guided too: it plays four spots through the song and asks you to tap from the 1 at each one. Those four hand-placed anchors pull the grid onto the record's own drifting tempo, and the result is checked by ear.

4. The manual path

When you'd rather place everything yourself, the view spells out three steps:

  1. STEP 1: MARK THE 1 — click exactly on the first downbeat (right-click drops a mark at the playhead), then mark the last bar's downbeat too. Zoom with +/− to get it sample-tight.
  2. STEP 2: TAP THE TEMPO, OR TYPE THE BPM — close is good enough, it's only a hint.
  3. STEP 3: PRESS MAP BARS — the grid lays across the whole song, anchored on your marks. Your marks fix the endpoints; the math and the audio settle the bars in between.

Check by ear as you go: |< plays from the 1, or click anywhere on the waveform to audition from that point. The TEMPO CURVE lane underneath shows the per-bar BPM, so a warped song is visible at a glance.

The TEMPO MAP on a fresh capture with no grid yet: the empty waveform lane, MARK 1 and SNAP in the GRID group, the four numbered steps spelled out above the buttons -- tempo, AUTO GRID, by hand with MARK 1 and MAP BARS, check by ear -- and the status line STEP 1: MARK THE 1

5. Fixing and trimming

  • EDIT BARS drags individual bar lines where the song actually drifts. UNDO steps back, CLEAR ALL starts the review over, RE-MAP re-lays the grid after changes.
  • LOCK THIS BAR pins a bar you've got right so a re-map can't move it.
  • SET SONG START HERE / SET SONG END HERE and TRUNCATE crop the capture and its grid down to the song itself.
  • MIX IN / MIX OUT place your mix markers, CLR MIX clears them. A record with markers set shows MIX in the library. They are a taste thing, and they never affect the record's star.

The lower half of the TEMPO MAP: TRIM with START, END and TRUNCATE; GRID with MOVE 1 and SNAP; ZOOM minus and plus; MIX MARKERS with MIX IN, MIX OUT and CLR MIX; the TEMPO CURVE lane; TAP, ROUGH BPM, AUTO GRID, RE-MAP and CALIBRATE; and PLAY, STOP, back-to-the-1, UNDO and SAVE GRID

6. Save

SAVE GRID writes the record — artist, track, BPM, capture speed, the full grid, and the take. On a fresh capture the save offers the archive choice (SAVE + FLAC ARCHIVE / SAVE GRID ONLY); reopening an old record to edit its grid leaves its archive alone.

From then on that record recalls with its complete map: straight songs get a straight grid, warped ones follow their own curve.

Recalling a saved tempo

Tap a row in the WAX-ID LIBRARY and the overlay closes with that tempo locked into Follow for that deck:

  • If the metronome is already running, it re-locks at the saved tempo immediately.
  • If it's off, long-press TAP to arm the metronome, then tap once on the record's "1" — the click starts right there at the saved tempo, with zero taps of counting.

The recalled tempo is adjusted for your current platter speed (33 vs 45) and then rides your pitch fader — push the fader and the grid moves with the record, exactly as it should.

Turning the metronome off ejects any recalled tempo records — recall again next time you engage it.

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